Can an AI be a useful tool for authors, or a crutch that prevents an author from using their own judgement and enhancing their writing skills. Can AI give us agency, or rob us of it? No doubt the answer is both or either. Independent author expert Joanne Penn raises this interesting topic, with the assistance of Grok, the resident AI on X. I suspect the main problem will be (or already is) the absolute tidal wave of AI enabled and initiated content that will wash through the publishing world, much of which will be complete forgettable rubbish. The desire of most readers to read stories about humans for humans may be a difficult one to satisfy. Amplifying the already near-infinite supply of content will not assist with the long-term problem of declining readership. With many people welded to their phones and compulsively watching extremely short-form videos, the sight of a person reading an actual book or even an e-reader is rare enough to be remarkable.

A well voiced audiobook is a thing of beauty indeed — an exciting, immersive experience. And a very human one. But narrators are about to feel the cold digital breath of AIs trained to narrate with naturalistic, believable voices.

Risks abound:

“But despite the positive impact AI voice generation can make, the technology is associated with numerous risks as well. Some of them include misuse, fraud, impersonation, and even voice theft, which especially affects professional voice actors.”

— TNW

No doubt the initial results for multi-narrator audiobooks will be fairly primitive, but they will improve, and probably with startling speed. AI music is already flooding the streaming world, and real-life musicians aren’t getting much income out of that. Hollywood actors won some restrictions on the use of AI in their industry, but voice actors may not have quite as much clout.

Reedsy has a cheery article on optimal ways to use AI narrators. According to the writer: